Davis, C. (in press). A Timed Blindfold Test: Identifying the Jazz Masters in Brief Excerpts. Musicae Scientiae.

Davis, C. (in press). Review of Robert Hodson's "Interaction, Improvisation and Interplay in Jazz Performance." Psychology of Music.

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Conference Presentations

Chor, I. (2008). Representing repetition and variation in groove-based music. 15th Biennial Symposium for Research in Music Theory, Bloomington, Indiana, 15-16 February 2008.

Chor, I. (2007). Quantitative analysis of clave-based rhythms. Society for Music Perception and Cognition Conference, Montreal, Canada, 30 July - 3 August 2007.

Chor, I. (2007). Rhythmic organization in clave-based music. Northwestern University Cognitive Science Fest, Evanston, Illinois, 17 May 2007.

Chor, I. & Ashley, R. (2006). Synchronization of perceptual onsets of performed bass notes. 9th International Conference on Music Perception and Cognition, Bologna, Italy, 22-26 August 2006. [pdf]

Davis, C. (2007). Mental Representations of Jazz Musicians' Influences, at the 8th conference for the Society for Music Perception and Cognition, Montreal Quebec Canada.

Davis, C. (2007). Conceptual Structures of Jazz Musicians' Influences, at the 2nd Binennial Midwestern Conference for Culture, Language, and Cognition, Evanston Illinois.

Davis, C. (2006). Jazz is People, Just Like You, invited guest speaker at the Midwest Academic Talent Search Award Ceremony, Evanston IL.

Davis, C. (2006). A timed blindfold test: Identifying the jazz masters in brief excerpts. 9th International Conference on Music Perception and Cognition, Bologna, Italy, 22-26 August 2006.

Davis, C. (2006). Jazz as a Musical Conversation: How Do Jazz Musicians Communicate With Each Other? (revised), invited speaker at Northwestern Phonatics Colloquium, Evanston IL.

Davis, C. (2005). Jazz as a Musical Conversation: How Do Jazz Musicians Communicate With Each Other?, invited speaker at Cambridge Music Colloquium, Cambridge UK.

Davis, C. & Handelsmann, A. (2005). Music as a 'Rollercoaster Ride': The ups and downs of defining and creating improvised music in Chicago. Leeds International Jazz Conference, Leeds, England, 24-27 March 2006.

Davis, C. & Ashley, R. (2005). Jazz as a musical conversation: How do jazz musicians communicate with each other? Performance Matters! International Conference, Porto, Portugal, 14-17 September 2005. [pdf]

Duane, B. (2008). Heuristic-driven auditory stream segregation and a Schubert piano sonata. Paper presented at the Twelfth Annual Meeting of the Midwest Graduate Music Consortium.

Duane, B. (2007). Bass pedal points and schema-based segregation. Paper presented at the 2007 Meeting of the Society for Music Perception and Cognition.

Kim, J. N. (2006). Melodic perception in multi-voice music: The perceptual role of contour. 9th International Conference on Music Perception and Cognition, Bologna, Italy, 22-26 August 2006. [pdf]

Lee, K. M. (2005). Musical priming: veridical and schematic expectations. In: Proc. of the 2nd Intl. Conference of Asian Pacific Society for The Cognitive Science of Music, Seoul, Korea, 2005. pp. 192-196.

Lee, K. M. (2004). Rhythmic working memory and imagery ability. In: Proc. of the 8th Intl. Conference on Music Perception and Cognition , Evanston, IL, 2004. S.D. Lipscomb et al. (Eds.), pp. 228-230. Adelaide: Causal Productions. [pdf]

Lee, K. M. (2002). Does a separate pitch memory system exist? In: Proc. of the 7th Intl. Conference on Music Perception and Cognition, Sydney, Australia, 2002. C. Setvens et al. (Eds.), pp. 687-690. Adelaide: Causal Productions. [pdf]

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